Through working on the Weaving Stories project, I faced many interesting challenges along the way in dealing with the contributing artists.
I am used to doing all of the design work myself for projects, so guiding the artists by phone and email, seemed like working with my hands tied behind my back!
I had a particularly enlightening experience with one of the artists who was a crocheter, Ghadah Al Moosa, of the Crochet Cafe. She submitted a design that was inspired by the Islamic theme. She designed a crochet motif that was inspired by a traditional islamic design. I gave the artists color palettes for each theme so they could choose their materials accordingly. Since I was going to be putting so many different panels from different people using different techniques, the color scheme was key in making the installation cohesive!
I thought that it would be straight forward for this panel. It turns out, that the type of yarn and order of the colors made a huge difference in the look of the panel. I had Ghadah try a few color combinations based on what I thought would look good, but somehow they just weren't right. I felt so bad asking her to do so many samples, and I felt even worse rejecting them all! I decided that the best way, would be to try drawing and coloring in samples to get an idea of what would look best. My freehand drawings weren't effective enough, so I went in search of a program to trace the photo, so I could print and color it. I was thrilled to find this free online, easy to use stencil making program! In a nutshell, you can take a photo of your motif, then upload it to the website and choose from three different types of tracing options, depending on what gives you the best result. From there I edited the traced photo in a photo editing program to make it even sharper.
I printed out a page of the traced motifs and set to work with some colored pencils, trying all of the combinations I could think of. I narrowed it down to my two favorites, and Ghadah graciously agreed to crochet a few more versions. She sent me photos of each, and I cut and pasted multiples of each version side by side, to represent how they would look as a panel in the wall. From there it was easy to determine which would look the best.
|Some of the color options I experimented with.
|The actual panel on the blocking board (photo by Ghadah Al Moosa)
I think we really succeeded with this version, as the Islamic section of the wall was one of the most photographed by the media!
|The Islamic themed section of the Weaving Stories Wall (photo by Tammy Asad)
|Weaving Stories article in the Kuwait Times newspaper.